Saturday, September 03, 2011

Target: The Ultimate Foe

Pip'n'Jane Baker again. I won't be picking on their bizarre style so much in this Target: that isn't because it's not on display, but because it seems to fit this surreal story much better than it did Mark of the Rani.

The Time Lord space station is surrounded by a perpetual electric storm.

In the courtroom, the Doctor has worked out that the Inquisitor unconsciously displays uncertainty by adjusting her sash of office.

Glitz is shaking with fear on arrival because he thinks he might be dead. Mel pinches him to prove that he isn't.

The Doctor's cheeks are described as 'chubby'.

Glitz refers to 'grotzis' rather than 'grotzits' throughout.

Yrcanos is said to be the chief of a tribe on Ravolox - either that's a mistake or the Mindwarp novelisation establishes some startling new facts about him. Also, he apparently won Peri's affections 'by fair means or foul'. Intriguing.

Mel and the Master have an exchange via that's similar in tone, but not in content, to the one about compliments that was scripted but not used on screen. He taunts her with a question about whether red hair really denotes temper on Earth, and calls here a 'fiery vixen'.

When Glitz's harpoon-proof jacket is revealed, we're told that he sleeps in pyjamas made of Attack Repulsor Polycrenam pongee.

The infiltration of the Matrix was made possible because the Time Lords outsourced maintenance to the Elzevirs of Leptonica: the Master hypnotised their supervisor, Nilex. (He can't hypnotise Time Lords, apparently - doesn't the guard in Deadly Assassin count?)

Mel encounters a tyrannosaurus, not a dragon, in the Fantasy Factory waiting-room.

Have to mention one style issue: when P&JB are trying to say that the list of Time Lord names is definitely in the Doctor's handwriting, they say it bore 'the indelible curlicues of the Doctor's calligraphy.' Calligraphy is not a direct synonym for handwriting and indelible doesn't mean unmistakeable, even by extension.

The Master and Rani escaped from the tyrannosaurus in her TARDIS, because (as the Rani told him) it grew too large for the space and snapped its neck against the ceiling. He didn't believe her 'prosaic explanation' - and if ever there was a prosaic, anticlimactic explanation that is it - he prefers to think that he escaped because he's indestructible.

The sight of his TARDIS as a statue of Queen Victoria makes him reflect that even she is a lesser being compared to himself.

The Doctor's journey on the tumbril is accompanied by shouts of 'Madame Guillotine' and thrown tomatoes and cabbages.

The megabyte modem is still there, but it's spelt 'modum' throughout. We're led to believe though that it isn't really a modem, that's just Mel's interpretation. Working against this high-tech interpretation is the information that it contains vacuum tubes.

The insurrection on Gallifrey reported by the Keeper was sparked off by the Master spreading news of the High Council's machinations.

The final courtroom scene begins with a description of the room which seems to be from the Doctor's perspective. But then he walks into the courtroom. Very confusing.

There's an epilogue where the Doctor returns Mel to Oxyveguramosa, where she was before she was called as a witness. He has to do this as otherwise he can't go back to where he was at the start of the trial. Pleasingly, when she gets out of the TARDIS, there's another TARDIS next to it - the one from her own timeline. Inside she finds her own Doctor, who she's pleased to see has been following her carrot juice regime - he's slimmer. There's a suggestion that this Doctor has just met her, because he's looking forward to having her on board.

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